小さなモノ。もっと遊び心を。
The designer welcoming a visitor at the doorway of his studio

PALMLOOP / A PERSONAL STORY

Come sit.
I’ll show you
something.

A little curiosity. A few favourite things.
And how they found their way here.

Notes from a curious pair of hands ↓
IT STARTED HERE

I’ve always needed
something in my hands.

A ring while thinking. A small mechanism beside my coffee. I’d turn it over, notice an edge, and pick it up again.

Eventually, friends began asking, “What’s that?”
And I found myself saying, “Here. Try it.”

That’s probably where this all began.
01 / BEFORE THE WORKBENCH

I started paying attention
to what my hands noticed.

The designer observing a weathered curved handle on a quiet street
An ordinary street, a familiar curve, a question worth keeping.

There’s a certain pleasure in an old door handle: the curve already knows where your fingers will go. I began keeping a notebook for things like that. A hinge. A rounded edge. A shape that changes as you walk past it.

I wasn’t collecting answers yet. Mostly, I was collecting questions. Why does this feel inviting? Why do I want to touch it again?

The notebook came before the shop.

A FEW PAGES FROM MY NOTEBOOK

Some ideas start
with a little “what if?”

An over-the-shoulder view of the designer exploring shapes on tracing paper
01 / A line on paperCircles, crossed-out ideas, another try.
Hands comparing the edge of a wooden study with a metal component
02 / A question for the handsHow does it feel? What makes me return?
Look closer.

I draw, try things, and collect details I can’t quite forget. I look for that same spark in other makers’ work, too.

This little shop grew out of both.

02 / THE PART THAT TAKES PATIENCE

The first version
rarely feels like the last.

On paper, a line can be anything.
In your hand, every little decision starts a conversation.

Three physical form studies and their pencil sketches on cream paper
From rough shape to another possibility — studies from the workbench.
01 / FIND THE SHAPE

Start with something rough.

A simple model tells me where a finger wants to rest. I let it be unfinished long enough to learn from it.

02 / CHANGE ONE THING

Move the edge. Try again.

A curve becomes softer. A gap shifts. I compare, put it down, then return with fresh hands.

03 / KNOW WHEN TO STOP

Leave room for the gesture.

Sometimes the best change is taking something away. The idea should feel clear without a long explanation.

03 / THE LITTLE THINGS I LOOK FOR

A detail can be
the whole reason.

I find myself looking at the smallest things: where two surfaces meet, or how a line changes as I turn it towards the window.

Fingertips exploring the etched lines and layered edge of Shuffle KK
01

A familiar shape.
An unexpected detail.

A playing card becomes something to explore. The layered edges and graphic lines invite a second look.

The faceted ring held gently against soft window light
02

The same piece.
A different point of view.

Turn it towards the light. A quiet surface catches a bright edge, and the shape feels new again.

Good company for curious eyes.

Those are the details I remember after the first impression.

PALMLOOP original brand markPALM / CLOSE TO YOU   ·   LOOP / BACK AGAIN

A NAME FOR THAT FEELING

In your palm.
On your mind.

The open curves in our mark remind me of a movement that hasn’t quite finished. One more turn. One more look.

A little room for curiosity.
04 / WHY THERE IS A PALMLOOP

A place for
the things I kept
showing friends.

For a while, the collection lived in a notebook, on a shelf, and in messages to people I thought would enjoy it. Then I wanted those discoveries to have a place of their own.

That became PALMLOOP: part design journal, part little shop. My own explorations sit alongside pieces by other makers, connected by a shared affection for character, movement and small surprises.

I want visiting to feel like stopping by someone’s desk. Look around. Ask what something does. Stay with the piece that catches your eye.

Personal enough to keep.Interesting enough to share.Open enough to make your own.
05 / THE EYE BEHIND THE SELECTION

Different objects.
The same little spark.

I don’t want every piece to look alike.
I want each one to give you a reason to look twice.

Shuffle KK held during a quiet train journey
01 / MOVEMENT

For curious hands.

A mechanism starts with a question: what happens when I give it a try?

The spiral desk object on a bright windowsill beside a book
02 / PRESENCE

For a little pause.

A sculptural form gives your desk a changing view, and your eyes somewhere to linger.

The orange arcade-inspired earbud case on a pale blue tote
03 / CHARACTER

For your everyday.

A playful detail makes you smile each time you reach for your bag. That counts, too.

Enjoyment has more than one shape.

That’s what brings these pieces together.
There’s room here for your kind of curiosity.

THEN LIFE GETS HOLD OF IT

The best part?
When it becomes your thing.

The piece beside your notebook. The bright detail on your bag.
The small discovery you pass across a table.

A favourite green mechanical object beside an open notebook on a pale desk
A pause between thoughts.
The orange earbud case carried on a cream bag against a sage jacket
A little character, coming along.
Three friends discovering a mechanical object together in the studio
THIS IS THE FEELING I WANTED TO SHARE
“Go on.
Give it a turn.”

No expertise needed.
Just a little curiosity.

A relaxed hand enjoying the spiral desk object beside an armchair
Noticing a little more, for a little while.
06 / WHY PLAY STILL MATTERS

You don’t have to
turn every pause
into a task.

Sometimes I just want to watch a shape turn. There’s nothing to finish, nothing to collect points for. I can put it down whenever I like.

That’s the kind of play I’m drawn to: ordinary, personal, easy to return to. A small part of a day that belongs to you.

No grand reason required.
07 / WHEN AN OBJECT BECOMES A CONNECTION

“I saw this,
and thought of you.”

A faceted ring offered to a friend in a simple gift box
The pleasure is in noticing what someone would love.

I like gifts that say, “I noticed.” A friend who can’t leave a mechanism alone. Someone with a bright detail on every bag. The person who gives every object on their desk a story.

A small thing can open a conversation. You pass it over, they turn it around, and suddenly you’re both looking at the same little detail.

That feeling — “you might enjoy this too” — is still the heart of this place.

From one curious person to another.
The designer closing his sketchbook in the studio at blue hour
Closing the notebook for today. Leaving the story open.
A NOTE BEFORE YOU GO

I’m still keeping
that notebook.

There are more sketches to try, more makers to discover, and plenty of things I haven’t figured out yet. I like that the story has room to grow.

If something here makes you pause, smile, or call a friend over for a closer look, then we’ve already found something in common.

See you around the next little loop.
— The person behind PALMLOOP

Thanks for stopping by.

Maybe your next favourite
thing is a small one.

These are a few places I’d start.

A visual expression of the ideas behind PALMLOOP. Story scenes are concept imagery; product specifications and included items are described on each product page.